Oz Gift of the Magi ([info]oz_magi) wrote,
@ 2004-12-24 23:00:00
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Wish #22 Requested by [info]cheights
Wish # 22
Pairing/Character(s): Author's choice
Keyword/Phrase: He remembered the taste of snow.
Canon/AU/Either: Either
Special Requests: None

Author’s notes: Beecher/Keller. Rated NC-17.</i>

Communion by [info]callmerizzo




Communion

It’s getting to him, Chris can tell. Thirteen days deep and no sign of it ending anytime soon; days always suck in Oz, but especially during a lockdown. In the daytime, with the lights of Em City spotlighting every move they make, there’s not much to occupy them except for the little things they find to do, and there’s not a whole lot they haven’t tried. Wrestling is out, and they’d pretty much given up on chess, having played so many times the paint was peeling from the tops of the pieces. The days in lockdown are endless, marked only by the way they spend the nights; last night it was Chris kneeling on the floor, his head bent low, his tongue buried deep in Toby’s ass, thrusting one finger into Toby’s mouth to keep him quiet, to stop him from shouting aloud.

It worked, that time. But it’s getting harder and harder to keep things inside.

Right now, Toby’s bent over the trunk at the foot of the bed, rummaging through his stuff, most likely looking for something, anything, to keep his brain occupied. It’s a wasted effort. Chris has already been through that trunk, item by item, and knows there’s nothing of any interest in there.

“Jesus, Toby, would you cut it out already?”

“I don’t have any clean shorts.”

“So sleep naked. What’s the big fucking deal?”

“It’s fucking inhumane, that’s what the fucking deal fucking is. Christ. Is it so wrong to want clean clothes to sleep in, for God’s sake?”

He’d told Chris, during one of these long, indistinguishable days, that at home he’d always worn pajamas to bed. “Nice ones,” he’d said, as if the distinction would matter to Chris. “The kind your parents give you for Christmas, you know?” Then he’d snorted. “Seems like another world, now.”

Chris had just laughed. He couldn’t agree more.

~*~*~*~*~

He doesn’t remember any particular Christmas; the ones from his childhood were all mostly the same. Christmas Eve meant Midnight Mass. Though he could usually wheedle his way out of most things where his mother was concerned, this one annual ritual was set in stone. Hundreds of candles, nubby white ones glowing on every available surface, making everything in the room seem vague... Chris would sit stiffly on the hard wooden bench, uncomfortable in his church clothes, his mother’s fingers like chisels drilling into his knee if he squirmed too much or too often. At that hour, the tall, narrow stained-glass windows were dark, their colors muted, the stories they told somehow less significant than they seemed in the daytime. Father Scarpello, a short, round man with deep grooves in his face, would thunder and roar from his pulpit, raving about sin and Satan and all of the other things that good Christians should fear. He would preach about the battle between God and the devil, a battle that had been going on since the beginning of time and which, apparently, still hadn’t been won. Bored and unimpressed, Chris would close his eyes and imagine the two of them, God and Satan, crossing swords like knights on a bloody battlefield -- both equally powerful, with the bodies of hundreds of their slain followers littering the field on either side.

~*~*~*~*~

Chris doesn’t know what Christmas would have been like in Toby’s world, but he’s willing to bet that it wasn’t anything like Christmas in Oz. Especially this particular one, which Toby had spent languishing in the infirmary, bleeding from Schillinger’s blade. But he *is* willing to bet that whatever that difference is, it probably accounts for at least part of Toby’s current pissy mood.

“Beecher. Sit the fuck down and chill out. What the hell is wrong with you?”

Toby slams the trunk shut and turns, abruptly, to face Chris. “He’s going to come after you, now.”

The mood, the tension, it all suddenly makes sense. In the end, everything always comes back to Vern.

“It don’t matter.”

“It *does* matter. When is all of this going to end?”

“When it ends,” Chris says, matter-of-fact. “Or maybe it won’t. Maybe we’ll just have to kill the son of a bitch, once and for all.” He shrugs carelessly. “The world would be better off.”

Toby stops moving, and stares. “And it’s that easy for you? You feel no guilt at all?”

“I don’t believe in guilt, Beecher. I believe in me.” Chris takes hold of Toby’s arm roughly, and pulls him close. “You and me.”

~*~*~*~*~

Over the years, Chris had learned to distract himself by ignoring the sermons completely and watching everyone else in the church, instead. When the priest’s big voice threatened doom and apocalypse, the people around Chris would shudder, or cower, or cover their mouths. But when he spoke quietly, of love and forgiveness and redemption, everyone suddenly smiled, sat up straight, and heaved tiny sighs of relief. Chris found all of this fascinating. And most intriguing of all: when the long-handled collection basket came around, pew by pew, Father always spoke then of Jesus, of His pain and suffering and selflessness, of the way He gave up all material possessions in order to give Himself over to God. By the time the collectors reached Chris’s pew, the basket would be overflowing with cash.

Chris learned a lot from going to church.

~*~*~*~*~

”Toby, c’mon. Come here.”

He drags Toby around the corner of the bunk, pushes him up against the wall, the most privacy they’ll ever get in this place. Down onto his knees before Toby can even begin to protest, ripping into his pants and taking Toby’s cock deep into his mouth. Toby struggles a bit but it doesn’t last, Chris is too practiced, too skilled, and it isn’t long before Toby’s hands fall, uselessly, from Chris’s shoulders, his head dropping back against the wall.

Without breaking pace, Chris glances up at him. Toby’s eyes are closed now, his face turned up to the ceiling as if in prayer. It’s not much of a gift, but it’s one he can give, this moment of forgetfulness, this hiatus from his life -- to make him feel something other than grief, other than hate. Nobody knows how well this works better than Chris himself does, even if it’s only temporary. Sometimes temporary is all there is. And it’s always better than nothing at all.

~*~*~*~*~

Later, when Chris grew too big for his mother to do anything about it, he’d simply get up and walk out of the church. He knew she wouldn’t get up to find him, knew she’d never walk out on Mass before receiving communion, certainly not on Christmas Eve, so he would head toward the bathroom and then duck out the side door. He’d meet up with his buddies behind the rear of the church and they would light up, inhale, exhale, feeling grown-up and rebellious and invincible. Chris took to cigarettes right away. He liked the way his breath and the smoke would become one in the cold night air. It made him feel like he could breathe fire.

One time, when he was fourteen or so, it had begun to snow. He’d tossed the cigarette aside and turned his face up, sticking out his tongue. The cold snow tasted new, and clean, and unspoiled.

He’d never tried it again. Tasting the snow made him feel guilty, in a way the sneaking and lying never had.

~*~*~*~*~

When the lights go out, Chris pushes Toby down on the bed and fucks him hard, so hard the bedsprings threaten to break, so hard his own muscles scream in protest. He knows it’s exactly what Toby wants: to feel pain, to feel punished for whatever it is he thinks he’s done to Schillinger’s son, and it works exactly like it’s supposed to. Toby claws at him, begging for more, digging his heels into Chris’s back. There are tears in his eyes. Chris touches them, makes them his, because it’s all they have. All there is. And even Chris’s hand over Toby’s mouth isn’t enough to stop the words from coming this time: I love you, Toby says, over and over, as if to convince himself that it’s true. As if they both might forget in the morning.

~*~*~*~*~

His mother would always find out, of course, and then she’d make him go to confession. He liked the confessional, though; liked the unrelenting blackness of it, and the way it smelled, of sin and snuffed matches and sweat. In fact, the whole ritual pleased him; the reversing of roles, the self-important priest now a captive audience, forced to sit, poker straight and uncomfortable, on a wooden bench on the other side of that wall, hanging on Chris Keller’s every word. He liked the way his own voice would penetrate that holy silence, rough and unyielding, the sound itself a kind of blasphemy. He’d spend the better part of an hour in there, telling the priest every last thing he could think of in pure and revolting detail -- listening, always listening for the way the Father would clear his throat nervously, for that strangled gasp of horrified surprise.

Whenever they met outside of the box, Chris would smile broadly at Father, and wink. The priest’s face would blanch and he would turn away quickly, as if Chris’s handsome, young face frightened him. As if he’d seen the devil himself.

~*~*~*~*~

They fall asleep together on Chris’s bunk. Chris dreams of Christmas, of church, of his mother coming around the corner and finding him with a cigarette in his hand. He wakes with Toby wrapped tightly around him, as if it’s the very last time they’ll ever be together like this -- as if, somehow, he knows. Chris lies there and breathes, in and out, in and out, absorbing the heat rising from Toby’s body. He runs his hand over that body, because he can, because he earned the right to. Because Toby is his.

Fuck guilt. There’s a door in his brain, and he shuts it, slams it hard, walls it up. Childhood memories don’t mean shit now, and Schillinger’s son gets no sympathy. Little Andrew is no more than a ghostly dream, vague like the church in Christmas candlelight, a pawn played, an obstacle removed. All that matters is this. Toby’s skin is warm beneath his hands, his heart is still beating. It’s all they have. All there is.

Toby is awake now, Chris can sense it. He turns his face into Toby’s neck. With his eyes closed, it’s still night; the day hasn’t come.

“I’m responsible for Andrew’s death, Chris,” Toby says quietly. “So are you.”

“Yeah?”

“I have to find a way to make up for that. So do you.”

“That’s bullshit.”

Toby extricates himself from Chris’s arms, sits up, throws his legs over the side of the bed. Chris lets his hand fall across Toby’s naked hip just as the lights come on.

“I’m serious, Chris.”

“So am I. Fuck that.”

Toby pushes his hand away, and rises. “No, fuck you.”

It’s an argument they’ve had a dozen times, will probably have a dozen more, and Chris isn’t interested in it right now. Instead, he crosses his arms beneath his head and simply watches Toby, the way he frowns, the way his hands flex into fists, the way anger colors his skin. There’s a thrill in it, knowing they will fight again, in this war that is never won; Toby never stays down for long. It’s one of the things Chris loves about him -- he’s stronger than he seems. A battle between them will never have a predictable outcome.

“You love me, Toby.”

“That’s the point.” Toby sighs. “He’s not going to leave us alone.” He pulls on his shirt from the night before and moves to stand in front of the glass wall, looking out into the quad.

“It don’t matter,” Chris says again. He gets up too, and moves behind Toby, leaning one arm on his shoulder. Together they stand there, side by side, gazing out at Emerald City. Their battlefield, littered with bodies. “Those fucks out there? They don’t mean a goddamn thing, Toby. Nothin’ matters but you and me.”

Toby turns to look at him, silent, his eyes filled with pain. Chris leans over, kisses him, and remembers the taste of snow.


~*~



(Post a new comment)


[info]magickslash
2004-12-30 04:40 pm UTC (link)
I loved this. I even liked the delay - finding one last present under the tree. Thanks for writing it.

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[info]callmerizzo
2005-01-03 07:53 am UTC (link)
Thanks for saying so. :) It was my pleasure to write, as well!

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[info]tobyfan
2004-12-30 07:51 pm UTC (link)
Wow. Amazing story telling. The past and present are nicely weaved. Characterizations are right on the money, too.

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[info]callmerizzo
2005-01-03 07:55 am UTC (link)
Thanks, Anne! Writing a story with trips into the past is always tricky for me, so I'm glad you think it worked. :-)

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[info]cheights
2004-12-30 11:13 pm UTC (link)
I LOVE THIS! What a fantastic job you did with the prompt I gave. I love Chris's memories of church weaved in amidst the present. It's such a great look at the character of Keller and the way the character is tied to religion. And those bits of the past also give a lockdown story a really unique twist.

Bored and unimpressed, Chris would close his eyes and imagine the two of them, God and Satan, crossing swords like knights on a bloody battlefield -- both equally powerful, with the bodies of hundreds of their slain followers littering the field on either side.

The above really struck me. It's a powerful image, and a frightening one because, it gives you the feel that Chris pictures God and Satan only concerned with their fight and rather indifferent to the cost to their followers.

And it's just so perfect that Keller learns a lot about pulling a con, working people's emotions, by going to church.

Toby's eyes are closed now, his face turned up to the ceiling as if in prayer.

I love this image, and it ties in so well with the interspersed bits of the past.

There are tears in his eyes. Chris touches them, makes them his, because it's all they have. All there is. And even Chris's hand over Toby's mouth isn't enough to stop the words from coming this time: I love you, Toby says, over and over, as if to convince himself that it's true. As if they both might forget in the morning.

The above paragraph is a gorgeous bit of writing.

He liked the way his own voice would penetrate that holy silence, rough and unyielding, the sound itself a kind of blasphemy.

This whole bit of how he liked confession is just so Keller. It reminds me of him telling Mukada how he and Toby fucked each other and the way he likes to say things to Sister Pete that shock her.

Together they stand there, side by side, gazing out at Emerald City. Their battlefield, littered with bodies.

Ooooh, shiver, that gives the reader a flashback to God and Satan fighting, nothing mattering but their fight. Particularly with Chris's thoughts on the thrill of fighting with Toby because its unpredictable. And these two definitely do leave bodies in their wake as the love and fight.

Toby turns to look at him, silent, his eyes filled with pain. Chris leans over, kisses him, and remembers the taste of snow.

What a fantastic way to wrap this up because earlier snow was the one thing that was able to make Chris feel guilt. And of course it was something that tasted new, clean, unspoiled, kind of like how I imagine Toby would taste to Chris.

Brilliant writing. Thank you so much for writing such a fantastic story to the prompt I gave.

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[info]callmerizzo
2005-01-03 07:58 am UTC (link)
Thanks so much, Cat! I have to admit, I was so happy that this story ended up being for you; I wasn't sure, when I wrote it, if the angst would be a bit too much for a CHristmas story. But as soon as I found it was for you, I stopped worrying. LOL.

And as always, thank you for such detailed and generous feedback. It's always such a pleasure to read how the story affected you. And I owe you something, as well, for the terrific prompt that managed to bring my Oz muses back to life! :-)

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[info]doctorevel
2004-12-31 06:39 am UTC (link)
Great story. I particularly liked the way you interwove the backstory with the present -- provided lots of perspective. My favorite line: "I don't believe in guilt, Beecher. I believe in me." It so captures Chris and where he's coming from.

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[info]callmerizzo
2005-01-03 08:00 am UTC (link)
Thanks so much. :-) This story was heavily influenced by Chris's words in Season 6, when he told Toby that nothing matters but them. I think it pretty much defines everything he's said and done. Thanks for the FB!

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[info]rustler
2004-12-31 12:39 pm UTC (link)
Oh man, loved this. Gorgeously written, well reasoned (or maybe I should say Keller-reasoned, which is harder to do! *g*) Very, very *right*.

It’s not much of a gift, but it’s one he can give, this moment of forgetfulness, this hiatus from his life -- to make him feel something other than grief, other than hate. Nobody knows how well this works better than Chris himself does, even if it’s only temporary. Sometimes temporary is all there is. And it’s always better than nothing at all.

That's just... yeah. Exactly. God, these guys make me wanna weep sometimes.

Great stuff.

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[info]callmerizzo
2005-01-03 08:01 am UTC (link)
Thanks, R! :)

They make me wanna weep, too. *cries* (But I love them so!)

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[info]alinewrites
2005-01-01 11:01 am UTC (link)
Beautiful! Present and past so beautifully intricated and I love the exploration of KEller's past.
Did I say something about the writing? For example, something like "ohmygodIwannawritelikethis?" I thought so.

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[info]callmerizzo
2005-01-03 08:02 am UTC (link)
Thanks, Aline. And I feel exactly the same way about your writing, you know!

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[info]desert_rifka
2005-01-01 10:30 pm UTC (link)
Well written. I really like the part with Keller in the confessional, wish we really knew more about his childhood. At the end, standing side by side looking out over Em City is the picture of them in S4.

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[info]callmerizzo
2005-01-03 08:31 am UTC (link)
At the end, standing side by side looking out over Em City is the picture of them in S4.

Yay, I was hoping that would come through loud and clear. *g*
I've always wished the same thing, that we were given more details about Keller's life pre-Oz. It seems wrong that we don't know more.
Thanks for the comments!

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[info]maverick4oz
2005-01-02 10:03 am UTC (link)
Dori, Dori, Dori,

*My* Resolution this New Year is to force politely beg you to write more Oz fic this year. Because, man...This story is fucking amazing. I told you that already, but it bears repeating. It truly is a beautiful piece of writing from start to finish. You should be proud of yourself. Thanks so much for writing it.

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[info]callmerizzo
2005-01-03 03:19 pm UTC (link)
Thank you so much, Mav. :-) And thank you again, for doing this. I was really beginning to think I'd never be able to finish anything again. *g*

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[info]ultraviolet730
2005-01-02 10:07 pm UTC (link)
I know you had computer woes and writer's woes, but I'm so glad you did it, because this is just a wonderful story, beginning to end.

The days in lockdown are endless, marked only by the way they spend the nights; last night it was Chris kneeling on the floor, his head bent low, his tongue buried deep in Toby’s ass, thrusting one finger into Toby’s mouth to keep him quiet, to stop him from shouting aloud.

Talk about starting out with a bang. Or, you know, a rim job. That was hot. Oh, and you know, it set the story up well, too.

“The kind your parents give you for Christmas, you know?”

That made me smile, because there's nothing like those Christmas pjs. But it was also an ouch moment, because I don't think Chris does know, at least not in the way Toby does.

Loved reading Chris's memories of church - the way the candles made everything seem blurry and unreal. Memories can be the same, but Chris's memories have sharp, painful edges, as well.

everything always comes back to Vern.

I am having an Oz senior moment here, but I can't remember if Schillinger ever did anything to avenge the stabbing. I don't think he did, which was one of the many plotholes in the B/K/S saga. But back to the point - I sighed along with Chris at the constant intrusion of Vern on their happiness!

By the time the collectors reached Chris’s pew, the basket would be overflowing with cash.

Chris learned a lot from going to church.


Hee! That was priceless. Keller learning the 10 Commandments and the con, all in the same place. At least going to church wasn't a complete waste! The later memory, of the confessional and the delight Chris took in shocking the priest, was also pure Keller.

It’s not much of a gift, but it’s one he can give, this moment of forgetfulness, this hiatus from his life -- to make him feel something other than grief, other than hate. Nobody knows how well this works better than Chris himself does, even if it’s only temporary. Sometimes temporary is all there is. And it’s always better than nothing at all.

Gah - that passage really got to me. That, and in the later scene, where he fucks Toby, it's both sexy and sad to see Keller using his amazing talents, but denigrating them just the same. It's fucked up and it's probably not, strictly speaking, healthy, but it's so much more than just "better than nothing."

As always with your writing, a simple, throwaway phrase like " Nobody knows how well this works better than Chris himself does" makes me wonder about other times Chris has experienced this - using it to hurt or feeling it, and hurting later. Or if there have been other times when he did it simply as a gift for the other person.

He wakes with Toby wrapped tightly around him, as if it’s the very last time they’ll ever be together like this -- as if, somehow, he knows.

Noooooooooo! I know it's true, it's what happened, but I really wanted just to freeze time there.

Toby turns to look at him, silent, his eyes filled with pain. Chris leans over, kisses him, and remembers the taste of snow.

Such a beautiful last line. I think Chris did see Toby as something, someone, he wasn't quite worthy of. Of course, as we know, snow really isn't pure. And some people say you should never taste it.

In this case, I'm glad Chris (and you) took the leap!

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[info]callmerizzo
2005-01-03 03:24 pm UTC (link)
Thank you for so much for such lovely feedback. And God, *yes*, I think "sexy and sad" is just a perfect way to describe these two.

Of course, as we know, snow really isn't pure. And some people say you should never taste it.

Oh, man... you are so right. And that just makes me want to cry for them even more.

Thanks again for your comments!

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[info]mandysbitch
2005-01-03 04:07 am UTC (link)
Fucking beautiful. Just. Fucking. Beautiful.

I'm a complete sucker for religious imagery. Maybe it's because all I've ever known about good, evil, love, life, death etc like Keller in your story, comes from sitting in a church pew and trying to figure out the whole fire and brimstone thing. I love that you make these moments definitive because they *are*.

There is this:

Chris would close his eyes and imagine the two of them, God and Satan, crossing swords like knights on a bloody battlefield -- both equally powerful, with the bodies of hundreds of their slain followers littering the field on either side.

because religion is so often about pathos.

and this:

Whenever they met outside of the box, Chris would smile broadly at Father, and wink. The priest’s face would blanch and he would turn away quickly, as if Chris’s handsome, young face frightened him. As if he’d seen the devil himself.


Because shocking a priest is delightfully sinful and Chris really is "the devil himself."

And Toby is the innocence disintegrating on Chris's tongue. Fucking beautiful.

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[info]callmerizzo
2005-01-03 03:31 pm UTC (link)
Thank you for the FB! I'm a whore for the religious themes, too -- *especially* when it comes to Keller. We know so little about his life before Oz, but it seems like much of what we *do* know revolves around that kind of thing. (Not to mention the tattoo -- and I've always assumed his name was intended to be a religious reference, too. But I don't know if that's just me. *g* )

Toby is the innocence disintegrating on Chris's tongue.

Oh, what a fucking great line. Thank you for that. And for all of your lovely comments, too. ;)

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[info]rileyc
2005-01-04 01:17 pm UTC (link)
Oh man ... This is an amazing fics, the interwoven images, those perfect snapshot scenes -- this is the kind of fic I remember loving when Oz was brand new to me, and it's the kind that still brings excitement and delight, it's soooooo good. It truly is a gift.

I'd be copying and pasting the whole thing again if I tried to single out every wonderful line, but this one hit me with how the whole saga is summed up in those few little words:

In the end, everything always comes back to Vern.

And this is just a razor-sharp glimpse into Keller's mind, and a gorgeous image:

One time, when he was fourteen or so, it had begun to snow. He’d tossed the cigarette aside and turned his face up, sticking out his tongue. The cold snow tasted new, and clean, and unspoiled.

He’d never tried it again. Tasting the snow made him feel guilty, in a way the sneaking and lying never had.


And I love how you echo it in the last line.

Beautiful and haunting, and please write some more soon. :)



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[info]callmerizzo
2005-01-07 08:31 am UTC (link)
Thanks, R! I'm really glad to hear that the flashback stuff worked. It's hard for me to do that kind of stuff without making the story seem choppy.

please write some more soon.

Muses willing, I plan to. :) They're awful stubborn these days. Thanks again!

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[info]aswanargent
2005-01-05 03:57 pm UTC (link)
A wonderful story, and well worth waiting for. Thank You!

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[info]callmerizzo
2005-01-07 08:31 am UTC (link)
It was actually my pleasure to write, so I'm doubly glad you enjoyed. :) Thanks for the comments!

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[info]frelling_tralk
2005-01-07 10:42 am UTC (link)
I loved this fic, thank you!

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[info]fluffyllama
2005-05-27 03:12 pm UTC (link)
Oh, I love this to bits. I'm such a sucker for lines which are almost throwaway but creep up on you at the end (like the last line), and for snappy descriptive bits that flow so well like the end of the first paragraph. It made me gasp at the pleasure of reading it, aside from the content.

Their attitudes at the start are so exactly what I'd imagine -- Toby's frustration at not having clean stuff, Keller not giving a toss. And Chris has already been through that trunk, item by item, and knows there’s nothing of any interest in there you could almost miss, but yes, he'd do that.

Chris learned a lot from going to church.

This whole section is just so... yes. What an image that leaves in your head, it makes perfect sense, and colours everything we know of his actions later as far as religion and its representatives.

Gorgeous.

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